Bewaffnet mit Strass
Research associate Adam Harvey is interviewed by fluter, the journal of the German Bundeszentrale für politische Bildung, about his anti-surveillance project and the Black Lives Matter movement.
Research associate Adam Harvey is interviewed by fluter, the journal of the German Bundeszentrale für politische Bildung, about his anti-surveillance project and the Black Lives Matter movement.
Call for proposals: workshop organised by transmediale festival and KIM HfG in January 2020.
The New York Times covers KIM partner Adam Harvey‘s new study of the MegaFace dataset.
Matteo Pasquinelli’s essay “The Automaton of the Anthropocene” is discussed by journalist Adrian Lobe for Süddeutsche Zeitung.
In the German newspaper Süddeutsche Zeitung, Adrian Lobe covers biometric registration of refugees in Jemen, referencing also the work of our Research Associate Ariana Dongus
The Spanish newspaper El País covers Matteo Pasquinelli’s essay on the history of algorithms recently published on e-flux journal.
With his research and database investigation, KIM partner and collaborator Adam Harvey has forced Microsoft, Duke and Stanford universities to delete training datasets for face recognition in an unprecedented event in the recent history of (corporate) AI.
Adam Harvey, partner and collaborator of KIM, speaks to the Financial Times on how his project MegaPixels tackles the dubious ways training data sets for facial recognition are created.
CASTOR&&POLLUX ist eine umfangreiche Theaterproduktion, die im April beim Musikfestival „Heidelberger Frühling“ premiert. Student Lukas Rehm kombiniert in seiner Komposition klassisches Orchester mit einem Libretto, das neuronale Netzwerke geschrieben haben.
Das Land Baden-Württemberg investiert sechs Millionen Euro in KI-Forschung an seinen Universitäten – Zwei neue Professuren für KI-Methoden in IT-Sicherheit und Materialforschung am Karlsruher Institut für Technologie
Beautiful brutalist logo by Barbara Acevedo Strange and Simon Knebl generated by neural network analysis of traditional fonts.